Music Industry How To is supported by readers. When you buy via a link on our site, we’ll possibly earn an affiliate commission at no additional cost to you.
The acoustic guitar sounds perfectly fine all by itself. But, if you frequently perform in front of audiences, it doesn’t hurt to have a few pedals in your rig.
Consider taking a look at the following pedals for acoustic guitar, all of which will serve the working musician quite well. All of these are sure to serve a practical purpose, and you won’t want to play another gig without them!
Boomerang III Phrase Sampler – Best Overall
Looper pedals have become a standard piece of gear in every guitarist’s pedal collection. The absolute best on the market is the Boomerang III Phrase Sampler.
While the Boomerang III might look complicated, its design allows for more simplicity than it leads on. At its core, this loop pedal offers 3 channels for separate loops, but its ability goes beyond this.
This pedal has 2 different modes, one of which is the Serial mode, while the other is the Free mode. The Serial mode allows you to sequence loops in the order of your choosing.
If creating and stacking loops is your thing, the Free mode is right up your alley. One channel is designated at the master loop, upon which the timing for all other loops is based.
So far, the Boomerang III is essentially on par with just about every looper. Part of what sets it apart from the others is the number of features available for easy use.
The pedal has 2 buttons, allowing you to assign 2 different bonus functions, triggered by tapping or holding the button. You’ll find more than a handful of these features usable, including:
- Stack (for creating stacked loops on one specific loop channel)
- Once (plays loop once before returning to the previous loop in Series mode)
- Reverse Solo
- Play/Stop All
If that wasn’t enough, you can opt to sacrifice a bonus button to have another channel of loops. This would essentially create a 4-channel looper with a bonus button of 2 functions.
Each looping channel has its own volume knob so you can control the mix in real-time. Plus, you can easily set the fade and decay times as each function also has its own adjustable knob.
What’s So Great About The Boomerang III Phrase Sampler?
The Boomerang III is a bit more expensive than other loop pedals on the market. However, this is one of those instances where the extra cost is worth every cent.
Cheaper loop pedals have found a way to pack in features, but lack simplicity for easy use. The Boomerang III got it right by foregoing a small package and opting for simplicity and features.
And, that is definitely something you’ll want to prepare for. This is a fairly sizable pedal, essentially having the width of 2 standard pedals plus a mini pedal side-by-side.
With that being said, it’s certain to find a permanent place on your pedalboard. Aside from the already-mentioned features, the Boomerang III has a few other features that might win you over.
The first would be the fact that you can connect the pedal to a MIDI device. If you’re somebody that plays electronic loop-based music, the Boomerang III is a no-brainer.
You’ll be able to sync the pedal’s clock to the master MIDI device’s clock. This means that you can sync the guitar loops with any other device.
With the option of Mono/Stereo input/output, there is no limit on the sound quality produced by the pedal. Plus, the buttons have a satisfying click, allowing delicate taps to trigger the switch.
You also won’t have to worry about durability. I’ve personally had a Boomerang III on my board for a decade and it’s still going strong despite constant gigging.
The last thing you want to be doing during a gig is thinking about your gear. With this looper, its simplicity allows you to stay in the zone without having to remember a footswitch sequence.
There’s a reason why the Boomerang III has such a reputation despite not being a mainstream pedal.
Boss AD-10 – Best Premium
What if you could have an all-encompassing unit that acts as a hub for all of your acoustic performance needs? That is precisely the kind of function that the Boss AD-10 (see price on Sweetwater, Amazon) provides.
As a whole, the AD-10 is a signal processor offering a wide range of controls to shape your tone. Instead of packing each feature away in a discreet design, Boss has opted to have everything available at once.
This gives you incredible control in real-time without having to fiddle around with menus and LCD screens. You’ll find adjustable knobs for all of the following features found on the AD-10:
- 3-band EQ
- Presence level
- Overall volume level
- Effect and time levels for Delay and Chorus effects
- Acoustic resonance level
- Anti-Feedback Reduction (with notch filters)
With the outlined features, the AD-10 is already a worthwhile consideration. But, believe it or not, there are a few additional features that make this one of the best.
You’ll notice by the pedal’s design that 3 tap switches are also featured on the pedal. At the press of a button you’ll be able to engage:
- Looper (up to 1 minute and 20 seconds in length)
You can save settings in 10 different presets, which can be recalled instantly with the press of a button.
If that wasn’t enough, the AD-10 allows you to connect 2 different guitars via its separate inputs. Its stereo output in both 1/4” Line Out and XLR formats make it easy to connect to a PA.
On top of that, the AD-10 also has features such as:
- Effects loop
- USB connection
- Ground/Lift switch
- Stereo/Mono switch
- Expression pedal capabilities
What’s So Great About The Boss AD-10?
The Boss AD-10 will change your mind if you think that an acoustic can’t benefit from a pedal. This piece of gear will truly make your guitar’s sound come alive while still retaining a natural sound.
Sure, the AD-10 is perhaps one of the most expensive acoustic guitar pedals you’ll find on the market. But you’re essentially getting a deal when you consider all of the features packed in this box.
The pedal is literally a solo performer’s workstation dream come true. It has all of the basic effects and functions an acoustic player would realistically ever need.
And, not only that, but Boss makes the entire thing incredibly simple and easy to use. Like the Boomerang III, it seems that simplicity often costs a premium, but again, this is well worth it.
Despite having quite a number of different effects and features, Boss allows you to control everything simultaneously. There’s nothing quite like being able to add more Feedback Control in a split-second to adjust to sudden changes.
On top of that, the idea that 2 guitars are supported and also comes with a looper is downright incredible. Boss clearly didn’t leave anything out when designing his pedal as it certainly delivers the goods.
Another nice thing about the AD-10 is savable presets, which, if you’re frequently playing the same venues, you’ll know why. You can literally craft specific settings for specific venues, cutting down your setup time drastically the next time you’re there.
The AD-10 is a pedal you’ll eventually come to realize is an absolute necessity for your rig. You can even use it in the studio, with its USB connection adding flawless recording capabilities.
This is a pedal that adds dimensions, allowing you to heed the muse’s call in the moment of a performance.
JHS 3 Series Harmonic Tremolo – Best Budget
Tremolo is one of the most underrated and under-appreciated effects in the industry. However, if you’re looking for a pedal that can provide that classic vibe, there’s no other better option.
JHS hit a grand slam with the 3 Series Harmonic Tremolo, there’s no doubt about it. The pedal is very simple and straightforward to use, offering controls for:
It might seem redundant to explain the Volume knob’s function, but it does serve a purpose. Since tremolo is a volume-based effect, it can often sound quieter when the effect is in use.
The combination of the Rate and Depth knobs is where the pedal truly gets interesting. Rate controls how fast the tremolo is, while the Depth knob controls how intense each side of the tremolo is.
You might be wondering if there’s any special secret sauce to this pedal that makes it worthwhile. The answer to that is hidden away on a 2-way switch that is simply labeled as “Type”.
Flipping this switch changes the mode to create the tremolo sound found on vintage Fender amps. The pedal gets its name because the circuit doubles the signal, with one being affected and the other remaining dry.
This results in a tremolo that maybe isn’t as choppy, but definitely has a unique wave to its sound.
Like all of the pedals in the JHS 3 Series, the Harmonic Tremolo is housed in a crisp, white housing. A standard 9V power requirement means you can power it with your pedalboard power supply without issue.
What’s So Great About The JHS 3 Series Harmonic Tremolo?
All of the pedals in the JHS 3 Series are worth consideration for different reasons. For the most part, this lineup is designed to provide a classic effect in its simplistic form.
However, JHS isn’t making basic pedals here, but rather, are offering effects that are truly iconic. You aren’t forced to be subjected to always having to use a company’s quirky mods if you don’t want to.
But, if you like options, the 3 Series delivers with the flip of a 2-way switch. With the Harmonic Tremolo, the result is a classic tremolo sound you likely grew up hearing on the radio.
There is just something tangibly unique about the tremolo units found on those early Fender amplifiers. It adds a certain flavor to the tone that is undeniable, like a friend that you fondly grew up with.
You might be thinking that maybe tremolo is a basic effect that only can be used in 1 way. Once you start experimenting with knob placement, you realize there’s more under the hood than what’s advertised.
Sure, some of the most extreme settings might be a bit much for an acoustic guitar. In that case, you can add a touch of motion to your tone in ways that are only slightly perceptible.
Then again, you can closely emulate the warble of a vibe pedal if you really need that tone. And let’s face it, sometimes, there are certain solos that could stand to use a bit of wiggle.
Since the pedal was released, I’ve had this on my own pedalboard and am continually surprised. I can guarantee that you’ll find new ways to use this pedal that you might not have initially considered.
Plus, it’s insanely affordable, which makes this a bargain that’s hard to turn down.
Fishman Platinum Pro
This offering takes the best of Fishman’s technology and showcases it in this preamp compacted to guitar pedal size. The pedal itself has a very straightforward design that can prove to be accessible for any player.
For starters, the Platinum Pro is decked out with a 3-band EQ, with dedicated dials for bass, mids, and treble. Fishman expands this by offering individual knobs for a low-frequency cut, and a frequency focus.
On top of that, the Platinum Pro is equipped with a notch filter. You’ll be able to block certain frequencies from appearing in your amplified tone.
Furthermore, the Platinum Pro is stocked with a compressor and volume control for additional fine-tuning. You’ll also be able to significantly clean up your tone with the brilliance setting.
The Platinum Pro also comes with 2 separate footswitches, with one dedicated to a tuner. Never again will you have to wonder where you misplaced your headstock tuner before a gig.
The other footswitch engages a boost effect, increasing the volume of your input for leads. There’s a fairly sizable boost in volume here, maxing out around 12 dB, with a minimum of around 3 dB.
This pedal from Fishman is built like an absolute tank and you won’t need to worry about its durability. Plus, it’s powered by a standard 9V connection, making it suitable for any pedalboard power supply.
Additional features on the Platinum Pro include:
- 1/4” amp output jack
- Effects loop capabilities
- Ground/Lift switch
- XLR output with switch for pre/post Platinum Pro-affected mix
What’s So Great About The Fishman Platinum Pro?
The Platinum Pro does cost a fair bit more than the average person might be willing to pay. Is this really a pedal worthy of consideration when comparing its features to other, similar pedals?
Let’s take a bit of a closer look, and you can draw your own conclusions. You should know ahead of time that Fishman has been one of the most innovative companies creating acoustic guitar pickups.
Based on the company’s prevalence (and dominance), it’s safe to assume they know a thing or two about acoustics. You don’t gain a reputation for producing pickups with pristine signal for no reason.
And while the company’s pickups are their claim to fame, their preamps are just as noteworthy. The Platinum Pro just expands quite a great deal on what can be offered on an acoustic guitar preamp alone.
This pedal would ideally be considered the center of your rig, though pedals can be added via the effects loop. Once you have your tone dialed in, the pedal acts as a DI to plug into a mixer or amplifier.
What’s nice is that you can always send a dry signal if needed, with a simple option-changing switch provided.
As far as shaping tone is concerned, the Platinum Pro has some pretty impressive capabilities. Plug this in, and you’ll be surprised at what such seemingly simple controls can provide for your tone.
In fact, there’s a chance that you might be rudely awakened to just how poorly sounding your acoustic actually sounds. Hearing your acoustic with the Platinum Pro will show you what you’ve been lacking.
And really, that’s exactly what you’re looking for in a pedal like this. It can seriously make the difference between a professional’s rig and an amateur’s based purely on tone.
TC Electronic Ditto X4
Do you like the idea of the aforementioned Boomerang III Phrase Sampler, but don’t care for the price? The TC Electronic Ditto X4 (see price on Sweetwater, Amazon) offers a more affordable alternative for your looping needs.
This version of the Ditto expands upon the original design, offering new features and a simpler layout. At its most basic level, the Ditto X4 provides 2 channels for loops, both of which support stacking.
Along with this, each channel has its own dedicated volume knob for controlling the pedal’s mix. You can easily set loop decay levels as TC Electronic has added this to be convenient.
Another upgrade present on the Ditto X4 is footswitches for stopping the loop, as well as an FX function. You can assign the following commands to the FX switch:
- Hold (has a stuttering effect)
- Double (plays loops at double the original speed)
- Half (plays loops at half of the original speed)
- Once (loop ends after current playing loop reaches the end of its recording in playback)
- Tape (ends the loop, mimicking the sound of a cassette’s magnetic tape being destroyed)
Plus, you can even store loops on the pedal to be able to use them later. You’ll even be able to transfer them to your computer (and vice versa).
What’s So Great About The TC Electronic Ditto X4?
The original Ditto took the guitar community by surprise, becoming the biggest hit of its release year. But while the pedal offered affordable looping, it had a learning curve that many failed to find easy.
TC Electronic’s offering of the X4 introduces simplicity back into its design, making it viable for serious looping musicians. Just the fact that it has MIDI capabilities alone makes it worthy for professionals to consider.
Rather than having to memorize a tap-dance routine, TC Electronic provides a footswitch for each of the pedal’s functions. This is definitely what was missing from the original.
In some ways, it almost seems as if TC Electronic took some serious inspiration from the Boomerang III Phrase Sampler. This pedal is just pared down slightly and is more affordable for the average player.
One hint of inspiration is evident in the Ditto X4’s Serial and Sync modes. Serial allows you to alternate between 2 different loops, while Sync allows for both loops to be playing simultaneously.
It might seem redundant to list 2 loopers in this article, but this alternative is worth mentioning. The pedal provides serious value for its cost, despite having slightly fewer features than the Boomerang III Phrase Sampler.
LR Baggs Align Session
Could the electric representation of your acoustic tone use a hint of studio magic? Plugging your guitar into an LR Baggs Align Session (see price on Sweetwater, Amazon) is just what the doctor ordered.
This is a simplistic pedal that can really make your guitar tone come alive as you’ve never heard it before. At its core, the Align Session is a compressor that has been designed specifically for the acoustic guitar.
Clicking on the footswitch will allow your tone to be colored by customizable levels of:
- Comp EQ
You might be wondering what some of these functions actually do for the guitar’s sound. On a basic level, the Align Session fills out the acoustic’s tone to have a much richer representation.
Turning up the saturation gives a surprising amount of depth to each tone played on the guitar. Adding some compressor to the mix provides a healthy amount of sustain without compromising the guitar’s natural tone.
Plus, it comes in a unique woodgrain-designed housing that’s sure to look great when you’re out gigging.
What’s So Great About The LR Baggs Align Session?
The Align Session is especially ideal if you've ever felt like your acoustic tone needed something extra to its sound. More often than not, when feeling this way, we might not be certain what it is that is actually missing.
When you plug in the Align Session and experiment with its settings, the missing link will come into view. And, from that standpoint, the Align Session can definitely add the elements of things that your tone lacks.
You’re probably wondering what makes this acoustic compressor different from any other guitar compressor. The difference lies in the Comp EQ function, which focuses on specific EQ parameters.
LR Baggs is one of the foremost expert companies specializing in acoustic-electric guitar tone and amplification. Over the time of its existence, LR Baggs has learned a few things about the acoustic’s resonance profile.
The result is a fine pedal like the Align Session, which adds dimension to the guitar’s tone. This compressor is insanely clean and transparent, and only present in the EQ ranges you’d actually need.
TC Electronic BodyRez
Are you somebody that doesn’t care much for complicated pedals? Maybe you’re in a band, and your bandmates have been begging you to get a pedal to help your tone.
The TC Electronic BodyRez (see price on Sweetwater, Amazon) is an affordable and simple pedal that can save the day. There is hardly any learning curve with this pedal, making it suitable for someone’s first guitar pedal.
This pedal has 1 control knob on it, which controls the amount of “Body” that the guitar’s tone will have. By a combination of slight compression and EQ filters, BodyRez fills out the ambience of a natural acoustic guitar tone.
When trying this guitar pedal out, you’ll notice a few things about the various level amounts. Turning the dial all the way up doesn’t distort the guitar’s tone in any manner.
In fact, you could argue that the BodyRez maintains a sense of subtlety in all the right ways. It both fills and balances things out simultaneously.
The BodyRez runs on a standard 9V DC power supply and comes in a miniature pedal housing. So, not only is the pedal extremely simple to operate, it saves space as well!
What’s So Great About The TC Electronic BodyRez?
Would you say that you love your natural acoustic tone, but don’t care for its tone when plugged in? This isn’t all that uncommon as many acoustic pickups tend to provide the bare minimum.
What usually happens is that you’re stuck at a gig playing in front of a crowd, thinking about your tone. The whole time, you’re not present at all for your performance, instead, lost in thought.
Of course, then, you berate yourself after the gig’s over because you couldn’t stand your tone the entire time. Imagine how your audience felt to have to hear somebody play distractedly for 3 hours!
It might seem comical, but you know that it’s the absolute truth. No matter how much we try to avoid it, tone problems take up brain activity during a performance.
The first thing people start doing (if they care about their tone) is looking for possible solutions. Considering the BodyRez’s simplicity and affordability, this pedal is a great place to start.
Sure, it doesn’t have the hands-on customization of 15 different parameters, each with its own dedicated knobs. But, what it does provide are the basic elements inherent in the more expensive preamp and compressor options.
An option like this is a great exploratory investment without having to drop a wad of cash on something excessive. You might just find that this is all that your tone actually needs, and if so, that’s a priceless bargain.
But, even if it isn’t, the BodyRez can give you a great idea of what you should be specifically looking for. In other words, this pedal is exceptional if you know your tone needs help, but aren’t sure what it needs.
Plus, its smaller size guarantees that it can typically always have accommodation on a crowded pedalboard.
What To Look For When Buying Pedals For Acoustic Guitar
If you’re seriously considering getting some pedals for the acoustic, it might be a bit difficult to make a decision. How does one really know what they should be looking for when it comes to these pedals?
It doesn’t help that there seems to be a pedal for just about anything you could imagine. If you aren’t familiar with the market, it can be easy to drown in the endless options available for guitarists.
Take some time to read and absorb the following informational guide. You’ll be presented with some ideas and questions that can help focus your research efforts.
The best part is, you can modify and adapt the guide to suit pedal purchases of any kind. Like music, familiarity often allows things to become easier, so be patient with your consideration.
The first thing you need to figure out is what you’re looking for specifically. You should have a good idea of what functions a pedal offers before you even consider purchasing it.
It goes without saying, but consider what gaps you feel exist in your acoustic guitar rig. Do you need something to provide a massive overhaul, or do you need effects that can add to your performance?
When it comes to acoustic guitar pedals, you’ll find that the offerings are quite slim compared to electric guitar pedals. There are a couple of reasons for this, which mostly boil down to tone.
After all, the acoustic guitar has its own sound, which is why we choose to play them. The majority of acoustic guitar pedals are aimed at enhancing the tone of the guitar when plugged in.
Because of that, you’ll mostly find that pedals take the form of preamps and direct boxes. You can use these to shape your tone beyond what a preamp and mixer could do.
Another reason for the slim offerings is that some electric guitar pedals just do not sound that great with acoustics. There is no hard and fast rule, and the only way to truly know is to experiment.
It’s best to at least consider the basic essentials that any performer might need. Tools, such as a loop pedal, can greatly expand a performance by offering the ability to play multiple parts.
With that being said, you should try different things out, even those ideas you might think of as being outlandish. I’ve personally witnessed an acoustic guitar player employ an overdrive and a wah pedal to great success.
Don’t feel as if you should be confined to the label “acoustic” when buying a pedal. But, know when something doesn’t sound good, too.
Something else that needs to be considered is the actual size of the pedal you’re thinking of purchasing. There are multiple reasons for this, but much of it depends on your actual rig and specific needs.
If you already have a pedalboard with some pedals, you are going to need to consider sizing more seriously. Pedalboards are notorious for only having just less than the amount of space you end up needing.
Eventually, you’ll find yourself spending an hour debating with yourself about which pedal to sacrifice for the new pedal. This could come at a cost, especially if you have no choice but to remove something that you use frequently.
You can avoid this conundrum altogether if you just take a few moments to think about the pedalboard’s available space. Can you rearrange things to fit, or do you need to look for a smaller pedal?
Some pedals are obnoxiously large, but often provide functions that you can’t live without. If you’re buying a large pedal, make sure it has that kind of quality to its design and performance.
Depending on the pedal, it might be in your best interest to buy something in a miniature housing. This is especially true if you’ll always leave the pedal on and don’t always need access to its functions.
More often than not, miniature pedals offer the same function and versatility as standard-sized pedals. Unfortunately, not every pedal comes in this kind of offering.
Similarly, if you don’t have a pedalboard, and aren’t interested in one, size might not matter so much. You could stand to get a larger multi-function pedal as it would be the only thing in your rig.
In general, there’s no one-size-fits-all rule here, so make sure your choice fits your sizing accommodations.
It doesn’t take a genius to realize that pedals can be quite expensive, and acoustic guitar pedals are no exception. You don’t need a financial advisor to tell you to shop wisely with consideration for your financial bottom line.
With that being said, there are a few guidelines you can follow to help figure out your budget. The first step is to figure out how much you can realistically spend without altering your outside life.
That means that you shouldn’t have to justify such an expenditure if it means you can’t pay the rent. Never put yourself in that kind of situation, especially when it’s in the pursuit of tone.
For the most part, pedals tend to be priced in a few different price ranges. Generally, a higher price is usually reflective of a larger number of capabilities and features.
Decent budget options for pedals usually start around the $70 area up to around $100. From there, you’re starting to get into the territory of specialized pedals with unique aspects.
When prices start to exceed $250, you need to be certain that it’s a pedal that’s applicable to your situation. And really, that sets up the crux of this section of the guide.
Are you somebody that makes a regular monthly income by playing gigs? If so, an expensive pedal is more appropriate, as you can likely have it paid off in a few gigs.
If you’re only playing in the bedroom, making the same expenditure probably isn’t the most ideal. But, again, that really depends on your financial situation and your desires.
Peruse the used market to see if you can snag a used version of the pedal you want. This helps save you money and reduces the waste produced by consumerism.
More often than not, it’s the extra features a pedal is able to provide that make it a winning contender. Don’t be afraid to really analyze every aspect of a pedal and compare it to other pedals of similar nature.
For instance, if it’s a loop pedal, does it have a straightforward or minimalist design that affects its functionality? It’s little things like this that can determine how often you might use something during performances.
Another thing to inspect is how accessible each offered parameter of the pedal is. Can you adjust things on the fly, or do you need to access a menu to find the designated parameters?
If you’re a frequent performer, you know that mishaps often take place within a fraction of a second. You need to be able to adapt as quickly as possible to mitigate any sort of ugly sonic messes.
Going back to the budget, it’s often the features that make something a bit more expensive. Do you really have a use for every feature, or could you stand to simplify?
There’s nothing wrong with buying pedals that only do 1 thing really well, especially if you have a pedalboard. It’s better than buying a pedal that does 40 things to a mediocre and barely-passable degree.
Other Things To Consider
Take a moment to really think about the music that you play with your electric guitar. In what ways can a pedal enhance your playing style beyond the level you’re at now?
A quality utility pedal that shapes your tone can be the missing ingredient to an otherwise stellar performance. Then again, some pedals basically allow you to play in ways that wouldn’t be possible otherwise.
Musicians are notorious for wanting to constantly reach for the next level and evolve their sound. Are there any pedals that can allow you to push above your current plateau and play at your desired level?
Pedals are absolutely wonderful in every way, but you should always remain aware of your surroundings. Pay attention to see whether or not specific effects have the desired results when played in front of audiences.
You might find that it isn’t ideal to apply overdrive to your solo when you’re playing a quaint winery. If you aren’t paying attention, you’ll miss out on social cues that can give you greater insight into your performance.
Always remember that a guitar pedal is no substitute for a lack of skill. But, with that said, the right pedal will inspire you to play in ways not previously accessible.
Best Brands For Acoustic Guitar Pedals
While it’s nice to have an idea of what you want, it doesn’t help to know which pedals are worthwhile. In situations like these, it’s often worth your time to explore the offerings produced by the most reputable brands.
A good reputation in the music industry doesn’t come easily. This is especially true for guitar products, as guitarists are notoriously picky and not afraid to call things out.
Although you don’t necessarily need to buy these brands’ products, their pedals can serve as a benchmark. More often than not, the big brands set the standards in both quality and features.
The following brands have some of the best reputations in regard to acoustic guitar pedals and amplification. Each has built its legacy by specializing specifically in acoustic guitar and acoustic performance needs.
LR Baggs is one of the most recognizable names when it comes to the electric tones of the acoustic guitar. The company’s pickups and preamps are some of the most popular choices for major guitar manufacturers to use.
This company has honest origins propelled by the curiosities of Lloyd Baggs. His interests grew into an obsession as he exhaustively studied the properties and physics of the acoustic guitar.
When you’re buying anything related to the sound of the acoustic guitar, it’s best to have something built by experience. You can be certain that anything made by LR Baggs is optimized specifically for the enhancement of the acoustic guitar.
Fishman is perhaps the biggest name associated with acoustic guitar electronics. Since 1981, Fishman has often been the go-to choice for acoustic-electric pickups and can be found in many guitars.
One of Fishman’s biggest innovations was their Fluence pickup, which provided them a bridge into the electric guitar industry. This pickup had programmable functions due to its use of circuit boards in its construction.
Because Fishman specializes in pickups, they can be trusted to provide worthwhile acoustic guitar pedals. Each product is formulated to suit every aspect of the acoustic guitar and enhance performances.
Top Pedals For Acoustic Guitar, Final Thoughts
A simple guitar pedal can provide the key that unlocks doors in your performance that you were previously unaware of. The right pedal can allow you to play in ways that would otherwise be impossible to manage.
If you’re feeling like your acoustic guitar performances are a bit lackluster, consider buying a pedal. You might find that it’s all you need to evolve your setlist into something that is infectious to an audience.